![]() ![]() ![]() Refers to a Greek Orientalizing style of the seventh century BCE named after the legendary Daedalus. In ancient Greek and Roman theaters and amphitheaters, wedge-shaped sections of stone benches separated by stairs. ![]() In masonry construction, a horizontal row of stone blocks. The projecting, crowning member of the entablature framing the pediment also, any crowning projection. Although this capital form is often cited as the distinguishing feature of the Corinthian order, there is, strictly speaking, no Corinthian order, but only this style of capital used in the Ionic order. Sometimes called “weight shift” because the weight of the body tends to be thrown to one foot, creating tension on one side and relaxation on the other.Ī more ornate form than Doric or Ionic it consists of a double row of acanthus leaves from which tendrils and flowers grow, wrapped around a bell-shaped echinus. The disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. In ancient Greek mythology, the battle between the Greeks and centaurs.Ī Greek tunic, the essential (and often only) garment of both men and women, the other being the himation, or mantle.Ī vertical, weight-carrying architectural member, circular in cross-section and consisting of a base (sometimes omitted), a shaft, and a capital. In ancient Greek mythology, a fantastical creature, with the front or top half of a human and the back or bottom half of a horse. The chamber at the center of an ancient temple in a classical temple, the room (Greek, naos) in which the cult statue usually stood. Latin, “hollow place or cavity.” The seating area in ancient Greek and Roman theaters and amphitheaters. In classical architecture, the form of the capital varies with the order.Ī female figure that functions as a supporting column. The uppermost member of a column, serving as a transition from the shaft to the lintel. The ancient Greeks considered beauty to be a matter of “correct” proportion and sought a canon of proportion, for the human figure and for buildings. In ancient Greek mythology, a magical rod entwined with serpents carried by Hermes (Roman, Mercury), the messenger of the gods.Ī rule, for example, of proportion. In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. In Christian architecture, a church somewhat resembling the Roman basilica, usually entered from one end and with an apse at the other.Įxperimental Greek vases produced for a short time in the late sixth century BCE one side featured black-figure decoration, the other red-figure. In Roman architecture, a civic building for legal and other civic proceedings, rectangular in plan with an entrance usually on a long side. In Doric columns, the raised edges of the fluting.Ī railing held up by small posts, as on a staircase.Ī blanket designation for the art of the period 1600 to 1750. The lintel or lowest division of the entablature also called the epistyle. The molded projecting ends of the walls forming the pronaos or opisthodomos of an ancient Greek temple.Ī recess, usually semicircular, in the wall of a Roman basilica or at the east end of a church.Ī curved structural member that spans an opening and is generally composed of wedge-shaped blocks (voussoirs) that transmit the downward pressure laterally.See also thrust. ![]() The style of Greek building in which the colonnade was placed across both the front and back, but not along the sides. In Greek mythology, the legendary battle between the Greeks and Amazons. The base, which was inscripted with the artist's name, is now lost. Sculptor of Aphrodite or Venus de Milo, ca. The portion of a basilica flanking the nave and separated from it by a row of columns or piers. Greek, “high city.” In ancient Greece, usually the site of the city’s most important temple(s).Īn open square or space used for public meetings or business in ancient Greek cities. The uppermost portion of the capital of a column. ![]()
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